I managed to get my hands on the latest album by my favoritest band The Decemberists. Let me tell you, this is one of the few, few, FEW albums that I can listen to from start to finish without having to skip tracks or hating a song. And now, let me tell you why.
My first experience with this album was The Rake's Song, which I downloaded off the website when it became a free MP3. At first I thought, "Hooray, classic Decemberists, this album is going to be awesome!" Additionally, once I actually gave a deeper listen to the lyrics, I loved the song even more. What ISN'T to love about a song that describes a young rake divesting his three young children after their mother dies? It's practically straight out of Dickens. Not mention, the drums on this track are, IMHO, astounding. For you who know, it's rather like Adam and the Ants, drum wise. Pounding, tribal, and catchy once you've heard the song enough times. So, after hearing this song, I was expecting a Decemberists album much like their others: catchy hook songs, playing with the past, etc etc.
Boy, was I ever wrong.
The Hazards of Love is NOTHING like the past Decemberists albums. Do you hear that? NOTHING. Not even The Crane Wife, which was their other "concept album" comes close to it. This album is something entirely different, yet entirely Decemberists. If that makes any sense.
For one thing, this album tells one whole story, start to finish. From what I've picked up (from the album and other reviews), this is the story of Margaret (sung by Becky Stark of Lavender's Diamond), and her lover, William (sung by Colin Meloy),Margaret's true love and, additionally, the adopted son of a jealous forest queen (Shara Worden of My Brightest Diamond). As well, there is also The Rake (who only has one song, and is sung by Colin).
Margaret comes across William in a forest in the shape of a baby deer and, of course, the two fall in love (after William seduces Margaret). However, the jealous queen certainly does not want her (adopted) son falling in love with Margaret, but William protests and manages to get one night with his true love (which I believe takes place in "An Interlude"). After this, we are introduced to The Rake, who abducts Margaret. The Queen makes a rebuke (though to what I don't know, yet), and William tries to cross the water, where Margaret is now a captive and the Rake plans to kill her (confusingly, Colin is singing as The Rake in "Margaret in Captivity", where he was singing as William in "Annan Water". However, the Rake's murdered children come back (In The Hazards of Love 3 (Revenge!)) to, you guessed it, get their revenge on their father. By the end of the CD, William and Margaret are reunited, although dead.
No wonder this album takes 17 songs and nearly an hour to tell. But none the less, this album is worth every minute. Here's the thing. Don't try to appreciate this album all at once. You really do need more than one listen to it to appreciate it. There are so many intertwining story lines that you really do need to listen to it once or twice. I did not care for this album on the first hearing, but now I can't get it out of my head. Once you sit down, and listen to the lyrics (which are superb in true Decemberists fashion), it really is taken to another plane.
My favorite song on this album is definitely "The Wanting Comes in Waves/Repaid", which blends orchestral tones, hard rock, and excellent vocals from Colin and Shara. I found myself humming it today in school, no surprise, really.
This is an excellent album. It manages to sound totally different (with the use of more "hard rock" melodies and more female vocals, and a children's choir thrown in for good measure) while still sounding much like the Decemberists of yore. The lyrics are true to the Decemberists we've heard before, and so too the interesting, folk-y melodies and the use of a harpsichord.
This album is a blend of more hard rock (a la Pink Floyd is probably the most apt comparison) and classic Decemberists. And, the thing is? This album makes it work. If it were any other band, I don't think it could be pulled off half as well. The Decemberists knew what they were doing with this song. I can't really explain it better than that. This album has to be heard to be described. And make sure you hear it more than one time, just to get it all.
Overall, I give this album an 9.5 out of 10. There are a few nit-picky things I don't like (like the Bon Jovi "tribute" on "Margaret in Captivity") but they're really very minor and this album blew away any expectations I had going into it.
Wow, this was a long review. xD Thanks for reading it, yeah yeah.
My first experience with this album was The Rake's Song, which I downloaded off the website when it became a free MP3. At first I thought, "Hooray, classic Decemberists, this album is going to be awesome!" Additionally, once I actually gave a deeper listen to the lyrics, I loved the song even more. What ISN'T to love about a song that describes a young rake divesting his three young children after their mother dies? It's practically straight out of Dickens. Not mention, the drums on this track are, IMHO, astounding. For you who know, it's rather like Adam and the Ants, drum wise. Pounding, tribal, and catchy once you've heard the song enough times. So, after hearing this song, I was expecting a Decemberists album much like their others: catchy hook songs, playing with the past, etc etc.
Boy, was I ever wrong.
The Hazards of Love is NOTHING like the past Decemberists albums. Do you hear that? NOTHING. Not even The Crane Wife, which was their other "concept album" comes close to it. This album is something entirely different, yet entirely Decemberists. If that makes any sense.
For one thing, this album tells one whole story, start to finish. From what I've picked up (from the album and other reviews), this is the story of Margaret (sung by Becky Stark of Lavender's Diamond), and her lover, William (sung by Colin Meloy),Margaret's true love and, additionally, the adopted son of a jealous forest queen (Shara Worden of My Brightest Diamond). As well, there is also The Rake (who only has one song, and is sung by Colin).
Margaret comes across William in a forest in the shape of a baby deer and, of course, the two fall in love (after William seduces Margaret). However, the jealous queen certainly does not want her (adopted) son falling in love with Margaret, but William protests and manages to get one night with his true love (which I believe takes place in "An Interlude"). After this, we are introduced to The Rake, who abducts Margaret. The Queen makes a rebuke (though to what I don't know, yet), and William tries to cross the water, where Margaret is now a captive and the Rake plans to kill her (confusingly, Colin is singing as The Rake in "Margaret in Captivity", where he was singing as William in "Annan Water". However, the Rake's murdered children come back (In The Hazards of Love 3 (Revenge!)) to, you guessed it, get their revenge on their father. By the end of the CD, William and Margaret are reunited, although dead.
No wonder this album takes 17 songs and nearly an hour to tell. But none the less, this album is worth every minute. Here's the thing. Don't try to appreciate this album all at once. You really do need more than one listen to it to appreciate it. There are so many intertwining story lines that you really do need to listen to it once or twice. I did not care for this album on the first hearing, but now I can't get it out of my head. Once you sit down, and listen to the lyrics (which are superb in true Decemberists fashion), it really is taken to another plane.
My favorite song on this album is definitely "The Wanting Comes in Waves/Repaid", which blends orchestral tones, hard rock, and excellent vocals from Colin and Shara. I found myself humming it today in school, no surprise, really.
This is an excellent album. It manages to sound totally different (with the use of more "hard rock" melodies and more female vocals, and a children's choir thrown in for good measure) while still sounding much like the Decemberists of yore. The lyrics are true to the Decemberists we've heard before, and so too the interesting, folk-y melodies and the use of a harpsichord.
This album is a blend of more hard rock (a la Pink Floyd is probably the most apt comparison) and classic Decemberists. And, the thing is? This album makes it work. If it were any other band, I don't think it could be pulled off half as well. The Decemberists knew what they were doing with this song. I can't really explain it better than that. This album has to be heard to be described. And make sure you hear it more than one time, just to get it all.
Overall, I give this album an 9.5 out of 10. There are a few nit-picky things I don't like (like the Bon Jovi "tribute" on "Margaret in Captivity") but they're really very minor and this album blew away any expectations I had going into it.
Wow, this was a long review. xD Thanks for reading it, yeah yeah.
1 comment | Leave a comment



